ambiguity

Sensuousness in the centre Speach bubbles demand answers to different levels of commitment from the students: leading the way, you ask: “Coming or going, sir?” choosing an experience, you ask: “Committing or quitting, young master?” questioning or finding doubt, you ask: “Staying or swaying, madam?” receiving or finding trust, you ask: “Opening or closing, miss?” The structure asks you: What do you see? Encourages you to: Write concrete ideas: Now,…

After I have invited the performers into my classroom I have both noticed and will now reflect upon the notion of authority created through performance with the students’ reaction central to my observations. I have realised that by turning my teaching into a performance, or by simply amplifying certain aspects of my personality (that is – according to the Sisters themselves what performance art actually is) then I can enhance…